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Palau Altea, Lost Letters, producción coreografiada, conexiones perdidas, Primera Guerra Mundial, Lucía Lacarra

Lost Letters

PALAU ALTEA CENTRE D'ARTS

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10/18/24
70 minutes
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Event information

Friday, 18th october | 20:30h


"Lost Letters," the first and thrilling production choreographed by Matthew Golding, tells a poignant and evocative story that will captivate audiences of all ages. "Lost Letters" explores the theme of lost connections and invites us to reflect on the power of communication. Through the incredible technical skill and artistic expressiveness of our dancers, "Lost Letters" takes the audience on an emotionally and visually striking journey. The innovative and dynamic choreography, combined with a captivating musical selection, creates an atmosphere that transports viewers to a world of shared emotions and experiences.

In any conflict throughout history, letters written by hand from the front lines and answered from the home front provided a vital connection between soldiers and their families and loved ones. But what would happen if one of those missives got lost? Based on a real letter written by First World War gunner Frank Bracey to his wife, Win, Lost Letters imagines how that woman's fate might have changed if she never received the letter from her beloved husband. Lost Letters transforms a real story into an original script and plot for a ballet.

 

With the co-organization of INAEM-Platea and the collaboration of the FEMP.


DURATION: 70 minutes.

RECOMMENDED AGE: For all audiences.

 

 

All children must pay for their general admission, except children under 12 months who do not occupy a seat.
*YOUTH CARD: Rate applicable to young people aged 14 to 30 who are in possession of the Youth Card. Documentary accreditation will be required and show such card at the entrance of the theater, otherwise, you can not benefit from such a discount.
*The seats identified as "Reduced Mobility" are intended for those people attending in wheelchairs, i.e., they are an enabled space (there is no seat).

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